Christopher K. Ho 何 恩 懷 (b. 1974, Hong Kong) is a speculative artist based in New York, Hong Kong, and Telluride, Colorado. His practice encompasses making, organizing, writing, and teaching. He is known for materially exquisite objects that draw from learned material about, and lived encounters with, power and otherness in an unevenly decolonized, increasingly networked world. Recent solo shows include "Marvin ❤️ Henry" at 56 Henry, New York (2021), “Dear John” at the Brooklyn Academy of Music (2019),  “Aloha to the World at the Don Ho Terrace” at the Bronx Museum (2018), and "CX 888" at de Sarthe Gallery, Hong Kong. His multi-component projects have been exhibited at Asia Society Hong Kong, the RISD Museum, UCCA Beijing, ParaSite, the Guangdong Times Museum, the Queens Museum, the Cranbrook Art Museum, MASSMoCA, Storm King, and in the Incheon Biennial and the Busan Biennale. Best! Letters from Asian Americans in the arts, an anthology he co-edited, was published in May 2021 by Paper Monument. The New York Times, South China Morning Post, Artforum, Art Asia Pacific, Yishu, Frieze, LEAP, RanDian, Art in America, Modern Painters, Hyperallergic, Ocula, and Art Review have featured his work. He received his BFA and BS from Cornell University and his MPhil from Columbia University.